Thursday, December 19, 2019

Tom Savini Finally Releases Secret BTS Video

Courtesy of Jo Nobile, here are some great screen grabs from a VHS video that was recorded while Ted White was in the makeup chair for Part 4. As featured in the new Tom Savini documentary on Chiller.

These are the clearest frames from this video I've ever seen, and some of the best surviving images of the original makeup. You can just make out the pink and blue tones used to create the illusion of depth and translusence as well as some of the mottling and spotting detailing the skin. Nice paint work by Kevin Yagher.

Friday, December 13, 2019

"Voorhees" Final Indiegogo Campaign is Live


The second and final phase of the Voorhees campaign is underway. You can see the new teaser, along with the perks being offered to funders by following this link.

I contributed $30 because I absolutely NEED that t-shirt with the mask and the house. Among other things, they're offering DVD and Blue Ray discs and posters and even the full film script.

Teaser is really short, concise, and tightly edited. Score is also NICE. Check it out.

This will get Cody and team through the (very expensive) post-production process, including paying the composer and sound engineer to do the final mix. This is a vital part of the process to make the film feel more Hollywood-level and less like a bunch of kids running around with cameras.

No word yet on when the final cut is expected to go live, but you never want to rush a great product.

Having seen a tiny sliver of the footage, I can say it really looks interesting. There are some great battles and FX shots and with some of it I was thinking "how the hell did they do this without a budget?"

I think this film might stand as a great example of what you can achieve without big bucks... like the Texas Chainsaw Massacre or the Blair Witch Project. You can tell a story with tensions, lighting, good camerawork and a great score without all the extras. Drone shots don't hurt either.

After the film has been released, keep an eye on this blog for some additional behind-the-scenes stories, photos and video of the four days I spent on set in 2018 and 2019. I have some photos I've been DYING to release but I'm going to wait until most fans have seen the film at some point next year.

Happy Friday the 13th!

Here's an ultra-rare piece owned by Billy Kirkus, made from the screen-worn appliances from Friday the 13th part 2: The Horror Sanctum Studios "Inbred." This thing is 38 years old and still in pretty good shape, with only a bit of dry rot around the neck.

Thursday, December 12, 2019

"Voorhees" Indigogo Round 2 Launching Tomorrow

New teaser being launched tomorrow for the second round of the Voorhees campaign. This second round is going to pay for all the finishing touches on what should be a very remarkable film.

Tuesday, November 12, 2019

Thursday, October 24, 2019

The Part 7 Makeup Test Bust

So I now own the makeup test dummy made during pre-production of Friday the 13th part 7 to flesh out Jason's look for the film. Thing is huge! The face is in bad shape but comparing with my movie mold piece (left), you can see that the very compressed face is in fact original.

I'll have some in-depth analysis of this one-of-a-kind piece of Friday the 13th history coming up soon.

Saturday, October 19, 2019

Snapshot of the Mask from "Voorhees"

Just a quick cell phone shot of the mask being used in Voorhees taken while I was on set about a year ago. Cody Faulk noted recently that he's done cutting 60 minutes worth of footage, so its progressing nicely.

Thursday, October 17, 2019

Friday the 13th: the Legend of Camp Blood


Note to reader: I barely remember writing this, but I love it. Found this a few minutes ago in a folder of Jason-related stuff that dates to 2011 or earlier. I think someone is making a similar fan film right now called "Mythos." The version I had in mind was perhaps a little more expressionist, I remember being inspired by Blair Witch and Lars Von Trier movies. What do you think?


A full length fan film that explores the mythology of the franchise. Shot in 16mm with a lot of authentic feel that the originals had. MOTIFS: Water, hydrophobia, fear of drowning.      Death, decay and despair.


PLOT: It is June, year unknown, but in the 21st century. A group of college students are on summer vacation and decide to spend a weekend at the town of Crystal Lake, NJ. In a class on Criminology they heard the legend of Jason Voorhees, the maniacal killer that stalked Crystal Lake in the summer of 1980 to avenge the death of his murderous mother five years prior. What followed, according to their professor, was a string of copycat murders in 1985, 1986, 1992 and 1993. One of the murderers, Roy Burns, was killed—the others, possibly all the same man, disappeared without a trace. The FBI kept its files on the matter private; the general public were stonewalled by local authorities. A folklore developed around the murders and local people tell campers to stay away from the vicinity of crystal lake, that some who venture out there are never seen again. 

Fascinated by the story, six kids set out to see the town—and the camp, now in ruins—for themselves on a three day vacation.


The characters: represent teenage archetypes, but are fairly intelligent and each have a slightly different background: one girl is a child psychology major (ala Ginny Field) she believes the legends; one man is a criminologist intending to join the FBI, he is a skeptic; another is training to be a forensics technician; another girl is a folklorist, also a skeptic; another is a … there is a couple who are engaged. The folklorist is a troubled girl, a bit of a loner…


After arriving in town they stay at a motel that night, they will head off to interview an ex-sheriff the next morning. That night the folklorist has an odd dream… same one she had a few days ago (the opening scene of the film). She is in the woods, which come out to a peaceful beach with a dock. She smells something awful like roadkill. She sees next to a boat in the middle of a beach, a swarm of flies and assumes a dead deer. As she gets closer, she sees the body of a badly decomposed woman, her head severed and laying at her breast. Being swarmed by flies and crawling with larva. Someone approaches from behind but she cannot move. She hears a child’s voice say “mommy?” She turns to face a hideously deformed boy, partially decayed and covered in seaweed and algae who grabs her by the throat and proceeds to choke her with both hands screaming into her face “LOOK WHAT YOU DID!!” with an desperate, animal rage. She awakens.


They interview a retired deputy sheriff named Steve Hickson, who remembered cleaning up the aftermath of Jason’s kills in 1980, 1986 and 1992. He testifies there was only one Jason except for that Roy Burns character, and he saw havoc that no ordinary man could have created. He even remembered Jason as a child from the local camp, remembered teasing him as a boy, and the day he was reported missing and presumed drowned. He knew it was the same boy, and that he hadn’t drowned, just ran off into the woods. He warned the kids not to go out into the woods, that people still go missing even after all these years, no bodies ever recovered. One of the kids teases him about the “Blair Witch of Crystal Lake.”


They set off for the woods and to have a good time drinking, camping, cooking out, fishing, etc. Some old tyme country is appropriate.


The kids have a run in with some local hooligans, who are rude to the girls, and scoff at the Jason legend. The hooligans later decide to fuck with them, and this leads to tension in the film as they make noises and screaming and all sorts of things outside their tent at night. They find out and a fight ensues, the hooligans lose and end up in the woods stumbling back to town in the darkness. On their way, they meet Death. One is pinned against a tree and meets an old weathered blank hockey mask face to face. His last words are “you’re not fucking real!!!!” before his throat is opened up with a machete. Jason is not seen except in very quick takes, like in the first four films. His buddy catches up, sees the body and tries to escape but is manhandled and drowned by an unseen adversary.


The explorers know something is up when the find carnage in the woods, but assume wolves or bear… they panic and begin in-fighting once they realize how lost they are. GPS has even failed. They break into survival mode, still not realizing they are being stalked. That night main girl has another dream about the corpse of an old woman… she sees a surreal scene. She is in the middle of a lake, walking on water. There is a gravestone in the middle of it that reads Pamela Voorhees 1930-1979 At Rest. She hears a faint “help me mommy” and skeletal hands reach out of the water to drown her. She is pulled underwater and choked out by the corpse of a woman wearing a decayed blue sweater, entangled in seaweed and crawling with algae and creatures. She is surrounded by a bed of human bones. As she is drowning she wakes up.


Eventually the gang of 6 breaks up to accomplish tasks, some to figure out where they are by looking for higher ground, others to find nuts and berries, others to find firewood. At this point the unseen killer closes in on his prey, dividing and conquering like a wolf. Only one man and one woman remain in the final 15 minutes and they have an epic battle with the legendary killer, Jason Voorhees. The boy is killed and the girl runs into the darkness of the woods, completely alone, lost. The forest is dead silent, tomb-like. No birds, no animals, no killer. She moves downstream and hears a swarm of flies like in the dream… it is the body of one of her friends, dead a few hours. Her despair turns to a fight for her life as Jason closes in. Stick and move like the Jason/Chris battle. She wins.

           

Sunday, October 6, 2019

A Brief Review of "Friday the 13th: Vengeance"


Just finished watching Vengeance, an interesting take on the Jason mythology starring Steve Dash (Jason actor, Part 2), C. J. Graham (Jason Voorhees in Part 6) and Tom McLaughlin (writer/director, Part 6) as a cemetery caretaker. This film picks up where McLaughlin's final scripted scene from Part 6 left off--Elias Voorhees overseeing the graves of his wife and son, but with the twist that Jason's grave is empty. Which is of course because Jason is still at the bottom of Crystal Lake, albeit not for long.

This film is in every sense a sequel to Part 6, and really goes big on Part 6's lighter, self-referential tone--lots of quirky throwaway characters, drunken buffoonery, dad jokes, gags, and whatnot. Some really land well and some not so much. Steve Dash is being his wonderfully abrasive self and man, do we miss him. Perhaps the best part of this movie is being able to see Steve in action one last time.

The plot goes big on nostalgia, with several major characters related to heroes and victims from the Paramount films, and Vengeance is absolutely bursting with fan service, with perhaps its crowning achievement a convincing shot-for-shot remake of an iconic sequence from the original Friday the 13th. The score was evidently written by Harry Manfredini himself and contains elements of Part 6 and 7's scores, with some good old-fashioned echoplex tricks for old times sake. NICE.

This movie really excels in both the nostalgic elements, and in the overall concept--a fascinating peek back into the mythos of Jason's origins with a bigger role for Elias (who appeared briefly in the original script for Part 6) and several unexpected twists to the canon. But a great concept can be difficult to execute with limited resources, and this entry doesn't escape the familiar earmarks of a fan film: sloppy editing, sound issues, weak acting, badly written dialogue, uneven pacing and other dings that are understandably difficult for amateur film makers to get right. Some of the kills were studied imitations of classic Jason moves from the Paramount films, with others brand new. As with many elements of the film, many of these new kills were conceptually great but weakly executed, with only one or two decent FX shots.

Executing a feature-length film is HARD even with a multi-million dollar budget, and must be even more so with a just few grand, so I don't want to go too rough on these guys. They made a fun, interesting throwback that fits well into the franchise even as it plays with the canon pretty liberally. Though Never Hike Alone was undeniably a slicker production, Vengeance boasts a body count more worthy of a classic Friday the 13th; while less beautiful, it is in a sense more satisfying.

Despite the flaws, I enjoyed Vengeance, and I'm still looking forward to the wide variety of fan films still underway, including Voorhees, Never Hike in the Snow, Jason Rising, 13 Fanboy, and Mythos. Keep em coming filmmakers!


Here's my review breakdown. Each score is out of five points:

Concept: 4.5
Script: 3.0
Acting: 3.5
Directing: 2.5
Score: 4.5
Kills/FX shots: 2.5


Saturday, September 21, 2019

A Rare Mrs. Voorhees Photo

Got this one from Crash when I was hunting for reference photos for Tom Spina. Probably the clearest shot you'll ever see of Alice's corpse. Not sure why the ice pick is through her cheek rather than her temple but whatever!

Friday, September 13, 2019

Happy Friday the 13th!

Here's a photo I've never shared before of the original Mrs. Voorhees head from Friday the 13th part 2 (minus the hair). Enjoy your holiday and remember that Jason is watching you. Especially if you are having sex in the woods.

Thursday, September 12, 2019

The Best Part 7 Replica Ever?

Quick shout out to Brian Hoback, who painted what is probably the best detail-for-detail replica of the part 7 hero mask I've ever seen. Just phenomenal work. Looks like he owns Mario Kirner's F13 prop book that goes on sale tomorrow for 45% off. Look it up on eBay if you want to get it cheap.

Friday, September 6, 2019

The Original Mrs. Voorhees Knife

Thanks to the sleuthing of Nathan Bellew, the knife wielded by Mrs. Voorhees in the original Friday the 13th has been identified as a Sabre Monarch 171 Bowie Knife with a vintage stag handle as seen here.

See comparisons below. The handles seem to have been hand carved so no two are exactly alike. But you get the idea.

 
 


Monday, July 29, 2019

Notes From the Set of "Voorhees"


Last Friday night I was once again on the set of "Voorhees" as it wrapped up the final scene of major shooting. I'm told that aside from a few pickup shots, the film is done being shot. Cody Faulk reported recently on Facebook earlier today that he is done editing the first act, so despite some setbacks, progress remains solid.

Shooting ran from around 8 PM until 2 AM in the middle of nowhere and the location is ultra-creepy: remote, rural and eerily quiet, with some very dense forest. Last time I was on set we heard a pack of coyotes howling in the distance, although this time the insects were a bigger aggravation. The guy playing Jason (whose identity will be secret until the final credits roll) is very large--roughly Derek Mears sized-- and when he first gets into costume its slightly terrifying, even to an old fan like myself.

The shoot I witnessed and participated in leads me to believe this will probably be the most brutal of the Jason Voorhees fan films currently being produced. I don't want to reveal too much, but I will say "Voorhees" could be the film John Carl Buechler wanted Part 7 to be.

After the movie goes live on YouTube, I'll be writing here a bit more about my role in the film, and why I've been invited to shoots--until then, I hope you're as excited as I am.

Sunday, July 28, 2019

Part 8 Mask: Final Version

I don't think there's anything I can do to make this more accurate at this point. Mask on the left is the movie mask; mask on the right is a cast off the movie mask pulled in clear PETG by Beyond Disgusting Studios. The detail in the pull is impeccable and you can see the faint impression of the original mask--including the chevrons, the larger scratches, and the subtle warping around the sides--in BDS's pulls. Because of the thickness of the plastic, you have to cut the eyes slightly larger than how they appear in the pull. But aside from some possible roundness in the chin, the blanks are impeccable.

The straps are from Fiberglassmasks.com and I'm very happy with them. Important to note though, there are no commercially available straps that are hand-stitched like the movie mask's were--mask makers tend to use rivets instead of stitching.

I can't remember every detail, but I believe the movie mask was spray painted silver on the back and the front, then painted over with two slightly different shades of yellow (a sort of naples yellow, followed by a straw yellow). Slash marks were then scraped in, revealing the silver paint beneath, and in the biggest scrapes, the silver on the back side through the clear blank. This is one of the toughest masks to reproduce accurately (second only to the part 3 and 4 masks) due to the unusually high level of detailing by the Vancouver FX team, but I've got it close enough to satisfy me. Weathering is with black acrylics washes. Final coat is Krylon satin clear.

Monday, July 15, 2019

The Origin of the MEL Inc. Bust

The MEL Inc. part 3 bust is a spectacular sculpt, probably one of the top three or four Jason busts out there. There does seem to be some mystery around its origin, with some collectors having said it comes from the original part 3 molds (albeit with a retooling), though it seems to have more than a few anomalies when compared to the movie appliances on a point-for-point inspection.

For example:
There is some evidence that it may not be a movie mold piece at all, but a ground-up sculpt by a veteran FX artist named Todd Rex, who sculpted the piece for MEL Inc. back in 2012 or earlier. Rex stated as much on his Facebook page.


 Rex (center) can be seen showcasing his sculpt at a convention back in April 2012:

A fan and painter named Jackson Rupert (who asked to be named publicly) reached out to Rex on Facebook, who said the sculpt does not descend from any movie mold:



I have never spoken to anyone at MEL Inc. so I don't know if they have ever claimed that it is a movie mold piece, but I thought this was interesting since that's what some collectors seem to think. I can only present evidence that I have been shown, and let you decide for yourself.

Friday, June 14, 2019

Updates to my H40

I was a little dissatisfied with my ToTS H40 mask, so I made some enhancements recently. It made me realize that they likely went over-the-top with the weathering on the movie mask so that it popped on camera. I used three-tone weathering on this (thin black washes, raw sienna and a reddish brown mix). My only regret is that I didn't start with the proper dry brushing technique, but oh well. I will on the next one. Pretty happy with this now!
Above is a comparison--left is latest iteration, right is before the additional weathering. It looked cool but it just didn't "pop" like the movie mask.

Tuesday, June 4, 2019

The Ultimate Part 7 Ensemble?

This is probably the closest I will ever get to a perfect part 7 reproduction: a FF7 and a SSN Master Mold copy. Both pieces are movie mold, and long out of production. The hockey mask you see below was painted shortly after having seen the real one in person, although I made small adjustments using the hi-def photos from Mario Kirner's book to work from.

As you can see below, the SSN Master Mold piece fits the mask really well, with only a small degree of shrink as compared to the original appliances. While a lot of artists go with a bold, high-contrast paint job for the part 7 skin, I think the movie appliances were painted with a bit more subtlety-- it looks to me to be a dark gray base, then a dry-brush of a raw umber or similar brown and finally a very reddish brown, bordering on flesh tone, that gives the whole head a rotten roast beef look. That's what I tried to imitate with my piece.
You can also see above that the movie head, aside from the face, is a very different sculpt from the SSN version. There is more of an emphasis on propeller damage, with exposed fat layers and somewhat less texturing. The SSN is a gorgeous sculpt nonetheless.

Sunday, May 12, 2019

Part 8 Mask Revisions

After getting my copy of Mario Kirner's F13 prop book, I made some changes to my part 8 mask. It seemed like no matter how much I expanded them, the eye cuts were just never big enough. I think now I finally got them.

Added more scratches as well-- little tiny dings appear across the whole movie mask. It had at least four or five layers of weathering textures that gave it an authentically battle-damaged look, although its hard to see in most photos.

Still have to clear coat this but other than that its basically done. Compare the eye cuts with the movie mask below. Did I get them right?




Thursday, May 2, 2019

Voorhees Trailer: Part 2 Drops


"People go crossing into his grounds... they're gone for good."

Sounds about right.

The second "Voorhees" trailer dropped an explosion of gore on Youtube today with less dialogue, tighter shots, and a greater focus on action than the first one. This trailer also just feels more epic. Almost operatic in its grandeur. Watch it and you'll see what I mean.

Cody Faulk's Jason is as vicious as he is imposing so judging by this trailer, fans looking for Hatchet-like levels of blood aren't going to be disappointed by this film.

We are in the midst of a Friday the 13tht fan film golden age and this movie--with its unique genre-bending plot and high kill count--has the potential to be a crowning achievement. Fan films like this make me wish the major studios would stay away from Friday the 13th forever and let indie filmmakers explore the franchise from here on out. The fans have the imagination and the technology. And they even made a (vastly) better video game.

At the very least, maybe Hollywood could start hiring indie filmmakers with good scripts and forgo some of the more absurd adventures they took Jason on.

In any case, I'm really looking forward to this film coming out. I've been in semi-regular touch with the director, so I can say he has some great ideas in store that aren't even hinted at in the trailer that I think fans are going to love. But I won't spoil them for you! Just mark your calendar for Friday, September 13, 2019.

Tuesday, April 30, 2019

Why was NES Jason Purple and Blue?

A Youtuber called Generation Gap Gaming posted a pretty compelling theory as to why the old 1989 Friday the 13th game for NES featured a strangely purple and blue Jason.
 Though every fan of the game knows it was published by the infamous LJN, makers of bush league, cash-grab games based on movie titles, it was evidently created in 1988 by a Japanese company called Atlus. While the programmers were looking for inspiration, they evidently found the back cover of an older promotional book for Friday the 13th Part 3's Japanese release, which featured this fanciful image of purple and blue Jason:

Why they took such liberties with the program cover is unclear. But this seems like a pretty good explanation for why a Japanese company made such a strange edit to Jason's palette.